Mi – Keep the same hand shape, but move your hand so that it is parallel with the ground.įa – Making a loose fist with four fingers (palm facing downward), extend your thumb and point it downward, almost perpendicular with the rest of the hand. Re – Straighten your fingers (keeping them together), and bring your hand up to make a 45-degree angle with the ground. Begin with your hand at about the level of your sternum, and make the following shapes as you sing each note of the major scale:ĭo – Make a fist with your palm facing down. Using the solfege hand signs simply requires keeping one hand free while singing whichever one you like is fine. All of the hand signs can be produced using one hand, and can be helpful for singers who are new to the solfege system. The idea behind the solfege hand signs is simple: each tone of the seven-note solfege system is given a shape for the singer to make with his/her hand while singing. The solfege hand signs (also called the Kodaly hand signs or the Curwen hand signs) were originally developed by John Curwen, but popularized through their use in the Kodaly method. The Kodaly method uses movable- do solfege, which we’ve discussed before, and adds one fantastic tool to the system: the solfege hand signs. One theorist in particular, Englishman John Curwen, gave Kodaly his ideas about solfege. Kodaly borrowed many of his ideas about teaching music from other pedagogues, including theorists in Britain and Switzerland. The Kodaly Method involves many different educational aims and subjects, and was primarily designed to make music education in Hungary’s elementary schools more effective. One of the most popular and well-known music teaching methodologies is the Kodaly Method, developed in the mid-twentieth century by Hungarian composer and music teacher Zoltan Kodaly. The solfege system as we know it dates all the way back to the 1800’s, and makes its way into many different methods of teaching singing and aural skills.
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